ADAPT!

A WORLD PREMIERE
Written and Directed by Blanka Zizka
March 22, 2017April 22, 2017

Press Kit

The World Premiere of Blanka Zizka’s Adapt! brings an Immigrant’s Journey Center Stage.

FOR IMMEDIATE RELEASE
February 2017

Press Contact:
Alison Ehrenreich
Community Relations and Marketing Director
215-893-9456 x102
aehrenreich@wilmatheater.org

The World Premiere of Blanka Zizka’s Adapt! brings an Immigrant’s Journey Center Stage.

The production will run from March 22 – April 22, closing The Wilma Theater’s 2016/2017 Season.

It’s the summer of 1977 and 22-year-old Lenka is fleeing authoritarian Czechoslovakia for the art and beauty of New York City. At the start of her journey, Lenka is confronted by an Old Woman from an extinct Slavic tribe who guides her through a dream-like world where the past and future meet and multiple realities collide. From a refugee camp to Central Park, Wilma Artistic Director Blanka Zizka presents a kaleidoscopic look at a young immigrant’s journey in a surreal world full of surprises, accompanied by a musical landscape ranging from traditional folkloric songs through Czech protest ballads to the pop sounds of the late 20th century. Major support for Adapt! is provided by The Pew Center for Arts & Heritage.
Adapt! begins on Wednesday, March 22, 2017; and opens on Wednesday, March 29, 2017. For critics and members of the press interested in attending Press Night on Wednesday, March 29 at 7:30pm, contact Alison Ehrenreich at aehrenreich@wilmatheater.org or 215.893.9456 x102.

The impulse to write Adapt! arose in 2011, when Pulitzer Prize-winning playwright Paula Vogel invited Blanka Zizka to participate in one of her workshops. As part of the development of the Wilma’s 2014 world premiere of Don Juan Comes Home From Iraq, Vogel led six writing workshops for veterans of Iraq and Afghanistan. “Early on, Paula asked us to remember a moment of alienation in our lives and write about it,” explains Zizka. “The veterans recalled their first days in Iraq or Afghanistan, or their return from the war back to the US. I recalled my emigration. Paula asked us to write a scene. I ended up writing a play.”

Adapt! is set in a moment of displacement. Lenka, the protagonist, has cut herself off from the world she knew, but hasn’t yet learned what the new world will bring. In Zizka’s writing, the exploration of this precarious existential moment has gradually taken on the form of a surreal dream. Although the focus of the play is Lenka’s personal experience, immigration politics inevitably made it into the play: for Zizka, the political is always personal.
“I did not think that Adapt! would be so timely, politically,” says Zizka, “but I was a refugee. Lenka is a refugee, so this play is even more personal and more relevant than when I first started writing.”

To play the main role of Lenka, Zizka chose 21-year-old Czech actress Aneta Kernová. “I realized it was necessary for Lenka to be played by someone who could convey the sense of identity that comes from speaking the Czech language, from belonging to a small nation with a long history of occupation and oppression. I went to Prague last year and saw several young actresses. Aneta’s physical freedom and absolute authenticity made her the clear standout.” Adapt! will be Kernová’s United States theatrical debut.
Adapt! will foster vital conversations with our community around the piece’s exploration of homeland, loss, ideology, and the cost of maturity. The Wilma will encourage these conversations with a lobby exhibit, Portraits of People on the Move by Jennifer Baker. Originally presented alongside Adapt! choreographer Silvana Cardell’s dance piece Supper, People on the Move, the exhibit tells the stories of individual Philadelphia immigrants. Each portrait encapsulates a single immigrant’s journey, from Argentina to Pakistan to Honduras to Italy to Albania to Haiti.

Adapt! hinges on live music. Lenka’s songwriting boyfriend Marek (Jered McLenigan) will perform the protest songs of Karel Kryl, newly translated into English and arranged by Stew (Notes of a Native Song). Old Woman (Greek actress Aneza Papadopoulou) and company will sing haunting laments, composed by Ukranian musician Mariana Sadovska. Orwellian pigs chant in grotesque masks designed by Phantom Limb Company’s Erik Sanko. Set designer Matt Saunders and costume designer Oana Botez, who previously collaborated on the Wilma’s production of Angels in America, reunite to bring the dream-like, surrealist world of Adapt! to the stage.

Zizka has directed over 70 plays at the Wilma since the late 1970s, but Adapt! is her first time telling a story as a playwright.

About Blanka Zizka:
Blanka Zizka has been the Artistic Director of The Wilma Theater since 1981. She has directed over 70 plays and musicals for the Wilma, most recently directing Andrew Bovell’s When the Rain Stops Falling in October 2016. In April 2016, Zizka was awarded the Vilcek Prize for Excellence in Theatre, which is awarded annually to immigrants who have made lasting contributions to American society through their extraordinary achievements in biomedical research and the arts and humanities. In the fall of 2011, Zizka received the Zelda Fichandler Award from the Stage Directors and Choreographers Foundation, which recognizes an outstanding director or choreographer transforming the regional arts landscape; and she was a Fellow at the 2015 Sundance Institute/LUMA Foundation Theatre Directors Retreat.
For the past three years, Zizka has been developing practices and programs for local theater artists to create working conditions that support creativity through continuity and experimentation. The result of this vision, the Wilma HotHouse resident acting company, was piloted with the fall 2015 production of Antigone and formally launched in January 2016. During recent seasons at the Wilma, Zizka has directed the U.S. premiere of Tom Stoppard’s The Hard Problem, back-to-back productions of Hamlet and Stoppard’s Rosencrantz and Guildenstern are Dead; Richard Bean’s Under the Whaleback; Tony Kushner’s Angels in America; Tadeusz Slobodzianek's Our Class; Sarah Ruhl’s In the Next Room, or the vibrator play, which received eight Barrymore awards; and Macbeth, which included an original score by Czech composer and percussionist Pavel Fajt. She closely collaborated with Dael Orlandersmith on her plays Raw Boys and Yellowman, a Wilma co-production with McCarter Theatre that was later performed at ACT Seattle, Long Wharf, and Manhattan Theatre Club. Zizka has collaborated with many playwrights, including Yussef El Guindi, Doug Wright, Sarah Ruhl, Tom Stoppard, Paula Vogel, Linda Griffiths, Polly Pen, Laurence Klavan, Lillian Groag, Jason Sherman, Amy Freed, Robert Sherwood, and Chay Yew.

Cast and Design Team:
The cast of Adapt! is led by Czech actress Aneta Kernová as Lenka and Greek actress Aneza Papadopoulou as Old Woman. The actresses are joined by Wilma HotHouse company members and affiliates Krista Apple (The Hard Problem, Rapture, Blister, Burn), Ross Beschler (The Hard Problem, Antigone), Keith Conallen (When The Rain Stops Falling, Rosencrantz and Guildenstern are Dead), Sarah Gliko (Constellations, When The Rain Stops Falling), Anthony Martinez-Briggs (When the Rain Stops Falling, An Octoroon), Jered McLenigan (Constellations, Antigone), Campbell O’Hare (An Octoroon, Rapture, Blister, Burn), and Steven Rishard (When the Rain Stops Falling, The Hard Problem).
A full artistic team will work to bring Playwright and Director Blanka Zizka’s world to life, including both local and international collaborators. Set Designer Matt Saunders (Constellations, When the Rain Stops Falling, An Octoroon) is joined by Projection Designer Christopher Ash, Costume Designer Oana Botez (Angels in America), Lighting Designer Thom Weaver (Rapture, Blister, Burn; Don Juan Comes Home from Iraq), and Sound Designer Daniel Perelstein (The Hard Problem, Don Juan Comes Home from Iraq). Erik Sanko of New York’s Phantom Limb Company will design original masks for the ensemble. Original music is composed by Mariana Sadovska, choreography is by Silvana Cardell, and song translations and arrangement are by Stew (Notes of a Native Song). The team is rounded out by Dramaturg Walter Bilderback, Resident Stage Manager Patreshettarlini Adams, and Production Manager Clayton Tejada.

The Honorary Producers for Adapt! are Linda and David Glickstein. Major support is provided by The Pew Center for Art & Heritage with additional support from the National Endowment for the Arts and the Vilcek Foundation.

An Actress’s Notebook: Journey through the Creation of Adapt!
Adapt! cast member and Wilma HotHouse Affiliated Artist Krista Apple takes you into the rehearsal room and onstage in her behind-the-scenes blog on the process of creating a world premiere. Explore the nuance and excitement of the first weeks of rehearsal with playwright/director Blanka Zizka, get a sneak peek at the out-of-this world journey of Adapt!, and share Krista’s thoughts on her 10th production at The Wilma Theater. Read the blog at WilmaTheater.org/blog.

Special Events and Opportunities:
Lobby Talks: March 22 – April 22, Post-Show
As the first audiences to see Adapt!, we invite you to join artists and staff in the lobby following the performance for informal conversation about the play. What resonated with you? How does Lenka’s journey relate to larger issues in the world today? Grab a beer or a glass of wine and share your thoughts with us.

IN THE WILMA LOBBY: Portraits of People on the Move : March 22 – April 22
During the run of Adapt!, The Wilma Theater will remount Jennifer Baker’s exhibition PORTRAITS OF PEOPLE ON THE MOVE, originally presented as a companion to Cardell Dance Theater’s “Supper, People on the Move,” choreographed by Silvana Cardell. The exhibit features first-person stories and photo portraits of individual Philadelphia immigrants from Argentina, Pakistan, Honduras, Italy, Albania, Iraq, Haiti. and elsewhere -- journeys undertaken for many different reasons, traversing many different landscapes, and completed with many different consequences. Join us for an opening reception of the exhibit before the first performance of Adapt! on Wednesday, March 22 at 6:30pm.
Beer Night: Friday, March 24, 7pm
Join us for a pre-show beer tasting in our lobby from 7 to 8pm sponsored by Sly Fox Brewing Company—complimentary for ticket-holders to that evening’s performance!

A Forum for What?: American Theater and Politics Today: Monday, April 3, 7:30pm
At a moment when our country is experiencing great political uncertainty and change, what role should the theater play in our political landscape? During the run of Adapt!, the Wilma will assemble a panel of American theater-makers from Boston to DC to dig into these questions, and more. In this panel discussion, discover what responsibility we have as an industry to participate in politics and what the limits of our scope are.
“Once written, a play is only half done, and it is never complete and itself until it has been performed in a theatre. Theatre is an art form so social that, more than any other art form, it depends on having a public existence, and that means it is at the mercy of cultural conditions." - Vaclav Havel, "Second Wind," 1968

Directors Gathering Dialogue: Tuesday, March 28, Post-Show
Immediately following the performance, a member of Directors Gathering will moderate an audience-led conversation with playwright & director Blanka Zizka.

Soundtrack to Immigration: An Evening of Music from Adapt!: Thursday, April 6 at 7:30 PM
In partnership with HIAS Pennsylvania and Intercultural Journeys, the Wilma presents an evening of music and tales, exploring an immigrant’s journey. Enjoy a rich array of music from the world premiere of Adapt! with the stories of Philadelphian immigrants. This event is open to the public with suggested donations at the door of $10 with all proceeds donated to HIAS Pennsylvania.

Young Friends Night: Friday, April 7, 7pm
For audience members 40 and under, this performance includes a complimentary pre-show food and drink reception at the Wilma from 7pm to 8pm.

Coffee Chat: Wednesday, April 12, Post-Show
Chat with literary staff about Adapt! and enjoy complimentary Saxbys Coffee after Wednesday’s matinee performance.

Open Captioning: Saturday, April 15, 2pm

For event updates please check The Wilma Theater website at www.wilmatheater.org.

Tickets: As we bring our deeply subsidized Wilma WynTix ticketing initiative into its third year, prices will operate on a tiered system as each production enters its run. For Adapt!, the first two weeks of performances are $25 for general admission, and $10 for students and theater industry members with valid ID. For the third and fourth weeks, general admission tickets are $35, student tickets are $10, and theater industry tickets are $15. For the fifth-week extension, general admission tickets are $45, student tickets are $10, and industry tickets are $15. Tickets are available at the Box Office by visiting wilmatheater.org, calling 215.546.7824, or visiting the theater at 265 South Broad Street in Philadelphia.

Mission: The Wilma Theater creates living, adventurous art. We engage artists and audiences in imaginative reflection on the complexities of contemporary life. We present bold, original, well-crafted productions that represent a range of voices, viewpoints, and styles.

FOR IMMEDIATE RELEASE
November 4, 2016

Press Contact:
Alison Ehrenreich
Community Relations and Marketing Director
215-893-9456 x102
aehrenreich@wilmatheater.org

The Wilma HotHouse Resident Acting Company focuses on new play development with a two-week workshop to prep for Blanka Zizka’s Adapt! and a commission with playwright Kate Tarker.
PHILADELPHIA – As a part of preparations for the upcoming world premiere of Adapt!, the Wilma HotHouse will hold a two-week new play development workshop from November 8 through November 20. Written and directed by Wilma Artistic Director Blanka Zizka, Adapt! tells the story of Lenka, a young woman fleeing the mind-numbing boredom of “normalized” 1977 Czechoslovakia. In a moment of exhaustion and hunger, she encounters an Old Woman from an extinct Slavic tribe, accompanied by four mysterious men. They take Lenka on a surreal ride full of surprises and unexpected turns, exploring a dream-like world where the past and future meet and multiple realities collide.

The workshop will serve as a beginning to a deeper look at this new play playing at the Wilma Theater through March 22 – April 22, 2017.

Taking place weeks before the rehearsal process begins, the workshop will bring all the collaborators together early in the process, including designers, actors, choreographer, composer in order to transform the text on the page into a cohesive physical world and visceral theater experience. As resident Dramaturg and Literary Manager Walter Bilderback says, “This builds upon the work that Blanka and some of these same actors did with Paula Vogel on Don Juan Comes Home From Iraq, and is another step in creating an aesthetic for this company in this city.”

Zizka will use the workshop to shape the world of Adapt! by developing original music and choreography with her collaborations Ukrainian composer and songwriter Mariana Sadoyska, Philadelphia-based Argentian choreographer Silvana Cardell and the rest of her design team and company. Participants of the workshop include HotHouse members Ross Beschler (The Hard Problem, Antigone), Keith Conallen (When the Rain Stops Falling, Rosencrantz and Guildenstern are Dead), Sarah Gliko (upcoming Constellations, When the Rain Stops Falling), Anthony Martinez-Briggs (When the Rain Stops Falling, An Octoroon), Jered McLenigan (upcoming Constellations, Antigone), Campbell O’Hare (An Octoroon, Rapture, Blister, Burn), Steven Rishard (When the Rain Stops Falling, The Hard Problem) and Lindsay Smiling (When the Rain Stops Falling, The Hard Problem).

Major support for Adapt! has been provided by The Pew Center for Arts & Heritage.

Keeping with new play development by female playwrights, the HotHouse will be working with emerging playwright Kate Tarker beginning in the 2016/17 Season. As a part of a grant provided by the Virginia B. Toulmin Foundation to advance women in the theater field, Tarker has been commissioned to develop a play in collaboration with the HotHouse ensemble focusing on their mission to invoke artist-driven work. This two year commission with our Company will dovetail into the Wilma’s current institutional focus on ensemble-driven, non-naturalistic works that showcase the Wilma HotHouse Company. To follow Tarker’s story with the HotHouse, The Wilma Theater has created “From the Desk of Kate Tarker,” a bi-weekly blog that focuses on the playwright’s process and work with the HotHouse. Beginning in April 2015, the blog has detailed Tarker’s experience at the O’Neill, previous workshops, and one entertaining discussion with Wilma resident Dramaturg Walter Bilderback. To read through her posts, visit http://blog.wilmatheater.org/.

“Blanka and Kate share an enthusiasm for big theatricality and bravura acting,” remarks Bilderback. “Both of these plays are guaranteed to be exciting evenings in the theater that are unlike almost anything you’ll see somewhere else.”

About Blanka Zizka
Blanka Zizka has been the Artistic Director of The Wilma Theater since 1981. She has directed over 60 plays and musicals for the Wilma. Zizka most recently directed the United States premiere of Tom Stoppard’s The Hard Problem, which debuted at the Wilma in January 2016. In February 2016, Zizka was awarded the Vilcek Prize for Excellence in Theatre, which recognized her leadership in founding The Wilma Theater as an institution of national significance, her singular artistic vision, and her acclaimed direction of contemporary theatre. In the fall of 2011, Zizka received the Zelda Fichandler Award from the Stage Directors and Choreographers Foundation, which recognizes an outstanding director or choreographer transforming the regional arts landscape; and she was a Fellow at the 2015 Sundance Institute/LUMA Foundation Theatre Directors Retreat. For the past three years, Zizka has been developing practices and programs for local theater artists to create working conditions that support creativity through continuity and experimentation. She has organized nine compensated advanced training workshops for dozens of Philadelphia artists with the goal of creating an ensemble of actors surrounding the Wilma. The result of this vision, the Wilma HotHouse resident acting company and Associate Artists, debuted in January 2016. During recent seasons at the Wilma, Zizka has directed back-to-back productions of Hamlet and Tom Stoppard’s Rosencrantz and Guildenstern are Dead; Richard Bean’s Under the Whaleback; Tony Kushner’s Angels in America; Tadeusz Slobodzianek's Our Class; Sarah Ruhl’s In the Next Room, or the vibrator play, which received eight Barrymore awards; and Macbeth, which included an original score by Czech composer and percussionist Pavel Fajt. She collaborated closely with Dael Orlandersmith on her plays Raw Boys and Yellowman, which was co-produced by McCarter Theatre and the Wilma and also performed at ACT Seattle, Long Wharf, and Manhattan Theatre Club. Zizka has collaborated with many playwrights, including Yussef El Guindi, Doug Wright, Sarah Ruhl, Tom Stoppard, Linda Griffiths, Polly Pen, Laurence Klavan, Lillian Groag, Jason Sherman, Amy Freed, Robert Sherwood, and Chay Yew.

About Kate Tarker
Kate Tarker’s plays include THUNDERBODIES (nominee, 2017 L. Arnold Weissberger Award), An Almanac for Farmers and Lovers in Mexico (2015 Kilroys List), and Laura and the Sea (2016 Kilroys list; finalist, 2016 L. Arnold Weissberger Award; finalist, 2016 Princess Grace Award). Development: The Lark, The Vineyard, Ars Nova, NYTW@Adelphi, the Playwrights’ Center, The O’Neill National Playwrights Conference, The Southern Theater in Minneapolis, LOCAL lab in Boulder, Theater Masters in Aspen/NYC, Salt Lake Acting Company, Nautilus Music-Theater, and the NNPN at the Kennedy Center. Awards and support: Jerome Fellowship, MacDowell Colony Fellowship, Tofte Lake Center Fellowship, SPACE at Ryder Farm, PWCenter/NET Grant, the National Science Playwriting Award. Currently: Ars Nova Play Group, New Georges Affiliated Artist, Playwrights’ Center Core Writer. Commissions: The Wilma; Theater Masters Visionary Playwright Award. Collaborations: Pig Iron and SITI Company. As a teacher, she has mentored playwrights at the New Haven Co-Op High School and the Pillsbury House Theatre, and taught playwriting at Wesleyan. B.A. Reed College. M.F.A. Yale School of Drama. She lives in Brooklyn.

About the Wilma HotHouse
With the public launch of the Wilma HotHouse resident company in January 2016, the Wilma’s initiatives with master trainers and its intensive work with artists have been shared more widely with our Philadelphia community. The HotHouse aims to transform how theater is created and produced in Philadelphia by serving as an incubator for artistic investigation, allowing artists to dare and explore under the Wilma’s auspices. It includes a company of approximately twelve actors, who meet each Monday to develop new methodologies, explore texts, and further advance the Wilma’s aesthetic. All members are compensated monthly by the Wilma, in addition to receiving union-scale actors' salaries for each show or workshop in which they perform. The HotHouse allows the Wilma to develop new works specifically for our company of actors; to conduct readings, intensive workshops, and other experiments with company members and guest artists; and to hone a unique theatrical aesthetic for the Wilma through rigorous actor training.

The HotHouse takes this training a step further by working consistently with the same core group of performers, investing in the Philadelphia arts community by placing the Wilma’s trust in the HotHouse members and encouraging them to create something both boldly new and regionally rooted. The HotHouse also allows the Wilma to increase its artistic capacity, creating an ever-widening community of artists who will ultimately transform Philadelphia’s theater scene while serving as teachers and emissaries throughout the greater region.