Jennifer Kidwell (she/they) is a performing artist. Recent projects – Ocean Filibuster (PearlDamour), Fat Ham and Antigone (The Wilma Theater), Michelle Ellsworth’s Body on a Table, Underground Railroad Game (2017 Obie Award for Best New American Theatre Work; 2018 Edinburgh Fringe First Award; Lucille Lortel, Helen Hayes nominations), Jaamil Olawole Kosoko’s Syllabus for Black Love, Geoff Sobelle’s Home (2018 Bessie Award), Adrienne Truscott’s Still Asking for It (Joe’s Pub), Dan Hurlin’s Demolishing Everything with Amazing Speed, David Neumann/Advanced Beginner Group’s I Understand Everything Better (2015 Bessie Award for Outstanding Production), Being/With and The Octopus and the Interview (Nichole Canuso Dance Company), Superterranean, Fire Burns Hot: Little Reno!, I Promised Myself to Live Faster and 99 Break-Ups (Pig Iron Theatre Company), Dick’s Last Stand (Whitney Biennial 2014, as Donelle Woolford), Zinnias: the Life of Clementine Hunter (Robert Wilson/Toshi Reagon/Dr. Bernice Johnson Reagon). Wilma Theater Associated Artist, co-founder of JACK. Published in movement research Performance Journal #45 and at hyperallergic.com. 2020 Visiting Artist Duke University, 2021 Visiting Artist UPenn. 2013 TCG/Fox Resident Actor Fellowship, 2015, 2021 Leeway Foundation Art & Change Grant, 2016 Pew Fellow, 2017 Independence Fellowship, 2020 Ruthie Award & Hodder Fund Grant.