In The Hard Problem, Tom Stoppard questions whether science can answer some of life’s most important questions. This is a subject that has pre-occupied him throughout his career, at least since his play Jumpers in 1972. He’s not the only one. Here’s a quote from a noted scientist of the 19th century:
“Sophocles is the playwright of heroism, and Antigone is the first female character in drama to be a hero in the full sense of the word. She is the first conscientious objector.” - Marianne McDonald,
The work of the actor in tragedy under Mr. Terzopoulos’ direction is very different than standard American rehearsal practices, which often approach the plays through the frame of Freud, Stanislavsky, and realistic drama. Terzopoulos’ work begins with intense physical training that puts the actor’s body through a series of increasingly difficult positions while focusing on breathing deeply into the diaphragm, followed by vocalizations in a series of sometimes strenuous body positions.
Back in 2011, during previews for Our Class, I read a brief review in The Guardian of a director I’d never heard of, whom the critic wrote had “created a theatre that, while it has elements of the work of Jerzy Grotowski, seems very much his own: one that explores the cornered human animal in all its naked desperation." I immediately shared the article with Blanka, whose interest was piqued. “I got on the internet to find more,” she remembers, and she was taken with the acting, which had “a power and presence that I didn’t see that often.” This was our introduction t
Hello from Philadelphia! It's Brian Ratcliffe again. Jered and I have returned from Greece, and are now fully engaged in the rehearsal process for Antigone. Before too much time passes, I thought I would take an opportunity to share a few more thoughts and images from our extraordinary experience abroad. Below are a handful of photos that I took in Greece, with captions. Enjoy!