The Wilma Theater Blog

• Dramaturgy: Archduke
  April 11, 2025
• Half-God BONUS Content
  February 18, 2025
• Dramaturgy: The Half-God of Rainfall
  February 4, 2025
• Dramaturgy: The Comeuppance
  November 4, 2024
• The Wilma Theater Store
  July 1, 2024
• Dramaturgy: Hilma
  May 16, 2024
• Dramaturgy: The Good Person of Setzuan
  March 28, 2024
• Ukraine Support Resources
  January 29, 2024
• My Mama and the Full-Scale Invasion dramaturgy
  January 26, 2024
• Fat Ham BBQ and Q&A
  November 22, 2023
• Two Men Fishing
  November 2, 2023
• 2022-23 Barrymore Nominees
  Theatre Philadelphia · September 22, 2023
• "A sculptor of space, a sculptor of energy"
  May 24, 2022
• "A TRUE CONVERSATION BETWEEN PAST AND PRESENT" - A NOTE FROM CO-ARTISTIC DIRECTOR YURY URNOV
  April 11, 2022
• LEARN MORE ABOUT 'THE CHERRY ORCHARD'
  April 5, 2022
• “Which One is That?”: Similarities in Chekhov’s Plays
  March 22, 2022
• MAKING CONVERSATION AND COMMUNITY
  January 24, 2022
• The Multiple Selves in 'Minor Character'
  November 5, 2021
• A Q&A With 'Minor Character' Director Yury Urnov
  October 20, 2021
• FREQUENTLY ASKED QUESTIONS ABOUT 'MINOR CHARACTER'
  October 5, 2021
• An interview with 'Minor Character' Co-Creator Morgan Green
  September 28, 2021
• Real and Ridiculous: Personal Reflections on Chekhov
  September 28, 2021
• Many Selves and 'Minor Character'
  September 21, 2021
• "A Celebration of Theater" - A Q&A with 'Minor Character' Performer Justin Jain
  September 15, 2021
• From 'Mare of Easttown' to 'Minor Character'
  September 14, 2021
• A Note from James Ijames about our 2021-22 Season
  July 26, 2021
• "Rough Around the Edges" - An interview with "Hold Fast" creator Steven Rishard
  June 16, 2021
• A Q&A with Sarah Gliko about "The Rot"
  June 14, 2021
• AN UPDATE ON OUR SEASON
  June 9, 2021
• A Q&A with "The Floor Wipers" creator Taysha Marie Canales
  June 1, 2021
• Equity, Diversity, and Inclusion: Black and Global Majority Artists, Theatremakers, and Emotional Labor
  March 17, 2021
• Inside "Fat Ham"
  March 2, 2021
• Melanye's Family's Gumbo Recipe
  February 19, 2021
• An interview with Ross Beschler about 'Expired'
  February 11, 2021
• A Q&A with Krista Apple about "Clay"
  February 8, 2021
• An interview about 'Code Black Planet' with Anthony Martinez-Briggs
  February 4, 2021
• Being Stuck and Perpetuating Whiteness in 'Heroes of the Fourth Turning'
  December 10, 2020
• Inside the Wilma Bubble
  October 29, 2020
• Community Connections in the Virtual World 
  October 28, 2020
• Unexpected Hero
  October 27, 2020
• Our response to We See You White American Theatre
  September 30, 2020
• Meet our new Board leadership
  September 29, 2020
• A Bold Step...
  September 16, 2020
• See Lighting Foundation: Support for Immigrant Theater Artists
  July 28, 2020
• A conversation with 'Is God Is' Director James Ijames and Stage Manager Patreshettarlini Adams
  July 22, 2020
• An Interview with 'Is God Is' designers
  July 22, 2020
• A conversation with 'Is God Is' performers Brett Ashley Robinson and Danielle Leneé
  July 20, 2020
• A Conversation with 'Is God Is' playwright Aleshea Harris
  July 15, 2020
• More on the Globe
  July 7, 2020
• Sharing thoughts about the 2020-21 Season
  July 1, 2020
• Making 'Code Blue'
  June 26, 2020
• A Message of Solidarity: Black Lives Matter
  May 30, 2020
• How the Wilma Created its Virtual Fundraiser
  May 27, 2020
• A video message and poetry reading from Co-Artistic Director Blanka Zizka
  March 18, 2020
• Describing 'Describe the Night"
  January 31, 2020
• An interview with DESCRIBE THE NIGHT playwright Rajiv Joseph
  December 10, 2019
• Catching the Tail of Mr. Burns: an Interview with Director Yury Urnov
  October 17, 2018
• Interview with 'Kill Move Paradise' playwright, James Ijames
  August 29, 2018